I used a monochromatic palette of Red + Black and White, with spot colors of Cerulean and Ocean Blue for this geometric work of asymmetrical symmetry. Not knowing which orientation looked best, I created three signature badges, and kept two of them as graphic elements. The piece started out, in the drawing stage, in a vertical orientation, with the pyramid pointing straight up and the target-like circles symmetrically down the middle. While working on it, however, twisting it and turning it like a steering wheel, I found horizontal to the left orientation fit the layout best, especially after coming up with its traffic-like title.
